No Man’s Land Returns!

No Man’s Land, the independent online journal of contemporary German literature, is resuming publication with a new website and new Editorial Board.

With the upcoming Issue 11 (Winter 2016), we will build on the ten-year history of this publication, carrying forward its commitment to translation and the works of contemporary authors writing in German.

We invite you to visit www.no-mans-land.org to peruse our selection of recent German-language short fiction and poetry in English translation. Founded in 2006 in Berlin, to date No Man’s Land has published works of more than 140 authors, as interpreted by 89 translators.

Submissions of translations for the 2016 edition will be accepted from 1 August to 30 November, 2016. Please see our detailed guidelines on the SUBMIT page for further information.

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NTA Longlist: Tristano Dies by Antonio Tabucchi, trans. by Elizabeth Harris (Archipelago Books)

Tristano Dies: A Life
By Antonio Tabucchi (Italy)

Translated from the Italian by Elizabeth Harris
(Archipelago Books)

TristanoDies_cvr_1In Antonio Tabucchi’s Tristano Dies, a dying Italian Resistance hero has called a writer to his bedside to tell him the story not of his life—a life of love and war, fidelity and betrayal—but of the mind that lived it.  Elizabeth Harris’s English translation is that rare and thrilling instance of transcendent translation that stands, independently, on the same high level as the original, a level Harris sustains through this mesmerizing and thought-provoking text.

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NTA Longlist: The Story of My Teeth by Valeria Luiselli, trans. by Christina MacSweeney (Coffee House Press)

The Story of My Teeth
By Valeria Luiselli (Mexico)

Translated from the Spanish by Christina MacSweeney
(Coffee House Press)

StoryOfMyTeeth-WebWritten in loose collaboration with workers in a Mexican juice factory, Valeria Luiselli’s The Story of My Teeth has undergone further transformation in its English version, thanks to her own reworking of the “original” text, Christina McSweeney’s rollicking translation, and the addition of a “Chronologic” entirely of McSweeney’s design. Revolving around a series of fantastic auctions of the teeth of Gustavo “Highway” Sánchez Sánchez, the book swerves between genres, pulling references high and low seemingly out of thin air and weaving them into a tapestry of narrative threads, whose pace McSweeney matches with gusto.

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NTA Longlist: The Physics of Sorrow by Georgi Gospodinov, trans. by Angela Rodel (Open Letter Books)

The Physics of Sorrow
By Georgi Gospodinov (Bulgaria)

Translated from the Bulgarian by Angela Rodel
(Open Letter Books)

The Physics of SorrowAlternately funny and heartbreaking, this labyrinthine tale—befitting the Minotaur motif at its core—erases time and space to explore what it means to be a sentient being on this planet.  The novel is unabashedly non-linear, leading the reader down blind alleys, from Classical antiquity to the twentieth century’s two world wars, with periodic, grim glimpses of life in Soviet Bulgaria. An exercise in the art of story-telling, The Physics of Sorrow offers countless possibilities for a dénouement. While hope is by no means guaranteed, it is never entirely excluded, either.  Angela Rodel’s translation is magnificent.

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NTA Longlist: The Meursault Investigation by Kamel Daoud, trans. by John Cullen (Other Press)

The Meursault Investigation
By Kamel Daoud (Algeria)

Translated from the French by John Cullen
(Other Press)

Daoud_MeursaultInvestigationKamel Daoud’s The Meursault Investigation is a powerful reimagining of the story of Albert Camus’s The Stranger—or, rather, a writing-back that imagines not only the death but also the life of the unnamed “Arab” shot and killed on an Algerian beach in Camus’s novel. Daoud gives Meursault’s victim a name, Musa, as well as a family: a mother to mourn him and a younger brother intent on rescuing his revered elder brother from the obscurity of a false fame by telling his own version of his brother’s death, life, people, and land. John Cullen’s translation is lively, colloquial, conversational, and beautifully crafted.

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